A Common Ocean

with we-we
2024
Graphic design of the eighth manifesto of the National Museum of Natural History.

This publication aims to bring together multidisciplinary contributions from natural sciences and humanities to build a shared body of knowledge about the ocean.

Publisher: National Museum of Natural History
Format: 10.5 × 18.5 cm
Binding: paperback with flaps
Printing: offset, 2 spot colors (Nexe Impressions)
Pages: 76
Languages: French, English
Font: Epicene

Musée

with we-we
2024
Graphic design of a photography book by Nicolas Krief, accompanied by a text by Stéphane Guégan, created under the artistic direction of Éric Reinhardt.

This photography book showcases the work of Nicolas Krief, who roams the halls of major museums during exhibition installations. He captures moments without staging, often with a touch of humour.

Publisher: Gallimard
Format: 22 × 17 cm
Binding: hardcover
Printing: offset (L.E.G.O.)
Finishing: hot stamping, gilt edge
Pages: 192
Language: French
Fonts: Rando, Tiempos

Chêne Pointu

with we-we
2023
Graphic design of the catalog for the exhibition Chêne Pointu, created under the artistic direction of Éric Reinhardt.

This publication highlights and shares the memory of the Chêne Pointu district, the epicentre of the emerging city of Clichy, through the eyes of various artists. It sheds light on these different interventions to leave a trace of what this emblematic place once was and what it will become.

Publisher: Atelier EXB
Format: 17 × 24 cm
Binding: hardcover
Printing: offset, 1 spot color (Agpograf)
Finishing: debossing
Pages: 320
Language: French
Fonts: LL Ruder Plakat, Tiempos

Senghor and the Arts

with we-we
2022
Graphic design of the catalog for the exhibition Senghor and the Arts – Reinventing the Universal for the Quai Branly Museum – Jacques Chirac.

This book revisits the questions that preoccupied Senghor in light of contemporary cultural issues. It brings together a mosaic of archives, photographs, artworks, unpublished texts, and translations, while also giving voice to Senghor himself.

Publisher: Quai Branly Museum
Format: 20 × 27 cm
Binding: paperback with flaps
Printing: offset, 1 spot color (Art & Caractère)
Pages: 184
Language: French
Fonts: Maison Neue, Plaak

#Alphaloop

2021
Graphic design of the first publication from the Modular Laboratory Editions of the ésam Caen/Cherbourg.

This book presents the documentation of the research-creation residency led by Adelin Schweitzer, along with several writings that support the construction phases with the members of the Laboratoire Modulaire.

Publisher: Modular Laboratory
Format: 21 × 30 cm
Binding: paperback
Printing: digital (Pixartprinting)
Pages: 48
Language: French
Fonts: Space Grotesk, Space Mono  

Aura

with Agnès Dahan Studio
2021
Participation in the graphic design of the visual identity of Aura, a light creation studio, including stationery, portfolio, and website. Formats: various
Printing: risography (Studio Fidèle)
Font: Rainer  

Manière d’hybrider des mondes

2020
Graphic design of the visual identity for the exhibition Manière d’hybrider des mondes showcasing the works of the 2020 graduates in art, architecture, and design from ENSA Normandie, ESADHaR, and ésam Caen/Cherbourg. Formats: various
Font: Avara

Éclipse

2020
Creation of a print on the theme of colour day by day for the exhibition Impressions couleurs levant, organised as part of the Normandie Impressioniste festival.
Format: 50 × 70 cm
Printing: screen printing (ésam Caen)

Extraits illustrés

2018-2020
Editorial and graphic design of the “Extraits illustrés” micro-collection, dedicated to three classic literary works.

Each publication, focused on a single work, takes the form of a foldable envelope containing five cards: on the front a selected excerpt, on the back its accompanying illustration.

Formats: various
Printing: risography, screen printing (ésam Caen)
Finishing: laser cutting, folding with flaps
Language: French
Font: Spectral

L’objet-livre jeunesse

2019
Writing and graphic design of my DNSEP thesis L’objet-livre jeunesse, voir et toucher pour éprouver la lecture.

This thesis analyses how the children’s book-object is reinvented and built on different types of surfaces to create interactive, playful, aesthetic, and tactile supports.

Format: 16.5 × 22 cm
Binding: spiral binding
Printing: digital (ésam Caen)
Finishing: laser cutting
Pages: 76
Language: French
Fonts: Ano, Ano Stencil